From
East to West & Back Home Again. What’s next for Huxley Rittman?
By Jacque Roche
Photography by Gerald Elizalde
The email
came through innocuously enough and I was immediately interested. “We have a friend in common and it was
suggested that I reach out to you.”
A social
butterfly never sleeps as she is constantly on the lookout. My radar is
always on high alert for mention of undiscovered musical talent. To
receive a tip and an email slip of some HOT new music through a friend
of a friend can cause my heart to skip a beat with that tingle of detection
that keeps me up at night. Haven’t we all heard about “that artist,” the one who got their big
break from such a serendipitous exchange?
Towards
the end of the email introduction there it was… my golden egg… that electronic
connection that was going to open a new door and take me down a rabbit hole
towards my musical awakening. I turned on the speakers, selected the link
and was so intrigued by this new “Power Pop” sound that I simply had to reach
out to Huxley Rittman and learn all about what makes him tick.
Huxley
Rittman revealed an exceptional story of growing up as an expatriate in an
exotic location. Soon after he completed preschool, the family moved from
Chappaqua to Singapore where he was introduced to music and a wide variety of
instruments, becoming, “decent at the drums, piano and bass, and mediocre at
the cello and mountain dulcimer.” During his first 10 years in Singapore Huxley
and three childhood friends formed a band they called, The Cave. This
quartet quickly drew a lot of attention because of their distinctive style,
talent and international appeal. Each member hailed from a different
corner of the world. The drummer was from Pakistan, the bassist a Japanese-Mexican,
the singer a Brit and Huxley was the native New Yorker.
During
their time together, Huxley and his band achieved countless milestones from; a
Gibson Artist sponsorship, an international distribution deal, festivals,
opening for "Taking Back Sunday," NY agent interest and management
and released their EPs, “Light Years” and "Personal" all by H.S.
graduation
The
direction of his career was changed forever when upon graduation this
multi-cultural, multi-national band couldn't find a way to stay together.
But he was offered this advice from a trusted mentor, “Rely on yourself
for your music.” It was then that Huxley realized he had his own
powerful voice, lyrically and musically.
So, that
summer before entering Boston’s prestigious Berklee College of Music, Rittman
wrote arranged, performed and recorded four songs for the EP, “Laughs and
Cries,” founded Huxley Rittman and The Rusty Hitmen, played at House of Blues
(LA) Viper Room (LA) The Trash Bar (NY), Sidewalk (NY) and all over Boston,
radio play on about 100 colleges stations, including one in the UK plus
completing a second EP. He also got a note from a very respected music
company in Nashville stating their interest in him. By the end of his
sophomore year at Berklee, Huxley made a decision to spend the summer in
Nashville and see where he stacked up in the most competitive songwriting
environment in the world, “Music City”!
While in
Nashville he deepened his relationships with a lot of interested industry pros,
performed on the hottest radio show and in multiple open mics and songwriter
nights. He was invited back to perform a show at The Commodore,
collaborated with accomplished song writers and recorded a great song in the
studio. As an added bonus, he had a song picked up for a Paul Reiser/Molly
Shannon movie titled, “Miles.”
On the
personal side he got a driver’s license and purchased his first band van.
Huxley modestly adds the most impressive feat was surviving “totes” on his own;
working a real job, paying bills and socking away a little cash in savings
while tackling the art of networking and trying to self-promote.
That part
- self promotion - well, that's the hardest thing of all for an artist like
Huxley. The management company Huxley is talking with told him, not
to worry too much. “We’re a little quixotic about that. We’d rather
you come in unknown.” However, every single musician I know laments
about the difficulties of getting Likes, followers, fans, drawing at events and
mastering the art of networking and self-promotion.
If you
don’t work with a local promoter you better be social media savvy with a lot of
time and the connections to get your name out there. If you can’t afford to
work with a promoter the next best thing would be to find yourself a champion,
a white knight that so strongly believes in what you’re doing that she shouts
it from the computer laptops and into the ears of her own followers and
readers. (J ~ Now who could I be talking about?)
This
Social Butterfly anxiously awaits what’s coming next from Huxley Rittman.
He is by definition the ideal iGen. He’s comfortable in social circles that
include people from multiple ethnic groups, races and religions. He is
thoughtful, open-minded, responsible and determined, while possibly a bit
shy. Perhaps because of his international upbringing, Huxley is not yet
home in the country of his birth, but not visiting either. He is finding
his way and working on his music, putting his past, present, insecurities,
triumphs and grit into song writing and performance. When you start to
hear his music and name trickle out you will be able to say … "I was one
of the first people who heard about “that artist,” the one who got his big
break" because this writer believed he was worth learning more about and
sharing it with you.
For links
to music, to follow, become a fan or find out where Huxley and his band are
playing next, go to his website at: huxleyrittman.wixsite.com and please, please please
LIKE him on Facebook at Huxley Rittman and The Rusty Hitmen.
Jacque
Roche is a “More Sugar” contributor, author of a weekly “Positive Insights”
newsletter, booker, FB Jedi Master and host of, Jacque’s Giant Hudson Valley
Music Show on 103.7 WPWL, streaming Thursday from 8-9 pm EST on www.pawlingpublicradio.org. Can I tell
your story? Send an email to:
jacquebutterflypresents@gmail.com.
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